1) El sonido del cosmos humano
Helena Bricio
1) El sonido del cosmos humano
Helena Bricio
Procurar enriquecer la oferta interactiva tradicional de la clase de música ha sido un ejercicio pedagógico que ha permitido a los estudiantes empoderarse de su propio proceso de aprendizaje acercándolos a situaciones reales de creación, colaboración e interacmbio en el que se hace necesario reconocer que como perSonar se habita un ecosistema con posibilidades sonoras infinitas esperando a ser activadas por medio de creación en red.
15) Algunos pensamientos en torno a la escucha y el sonido, fragmentos de escritura
Johann Sebastián Romero Riveros
Damian O'Riain
Aeromanteia
This is the third movement of a larger work fabricated entirely from a single 0.4 second recording of a ceramic chime clink. The sound was taken (with permission) from a batch of source materials used in Denis Smalley Wind Chimes (1987). Taking inspiration from Trevor Wishart’s Imago (2004) the work follows a similar regime: wherein all materials originate with the initial clink. I guess this piece is simply an homage to Smalley’s influential work.
PhD studies at SARC (Queen’s University Belfast). MPhil, music and media technologies, TCD (University of Dublin). Creative practice relates primarily to acousmatic arts, digital music, spatial-audio, and post-digital aesthetics. Interested also in new media, digital-cultures and technologically driven creative practices that embrace interdisciplinary collaboration. Residencies including Center for Experimental Music and Intermedia (University of North Texas), EMS (Stockholm), VICC (Visby), and CMMAS (Morelia), associate artist in residence to both Denis Smalley and Jonty Harrison at ACA (Florida). Works have been presented internationally at notable conferences and festivals.